Native American Cosplay of Captain America

Arts & Crafts, Geek out!, Stunt Double

Casey (otherwise known as hot.glue.burns on Instagram) made a Native American variant of Captain America’s costume for the 2019 San Diego Comic-Con. And the cosplay is both inventive and gorgeous!

Poster Cosplay in America has copied & pasted some of Casey’s thoughts:

“I originally brainstormed this costume in late 2015, but I really started rolling on production this last year, once I committed to this years SDCC… My main goal was to make a Native American variant of a fan-favorite character. I was immediately drawn to Captain America because of everything he symbolizes as basically the poster boy of a nation. To me it was the perfect parallel. And once I visualized the red and white bone breastplate on my abdomen, I knew this was something I had to see through.

“A lot of old school leather work with the awl! The majority of the armor was made from a base of 6mm EVA foam with 3 oz deer hide glued over it. The pieces were then stitched together with sinew or leather lace. Using this technique allowed me to form curves and build the necessary bulk of the armor pieces while also getting the suede textures I was looking for. And a whole lot of beading!”

Found via Good Stuff Happened Today on Tumblr.

Happy Indigenous Peoples’ Day!

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

New-to-Me Music Style: Bardcore

Bits in Spaaace!, Geek out!, Stunt Double

I recently learned of a new-to-me music style: bardcore.

It means making versions of modern pop / rock songs in the style of medieval ballads. And, oh boy, is there a rabbit hole to fall into!

Verily, behold “Sandstorm” by my fellow countryman Darude:

Darude – Sandstorm (Medieval version) by Marcus Aurelius on YouTube

Another neat bardcore version of a song from Finland, this one a trad: “Ievan polkka”.

Ievan Polkka (Medieval Cover) by Middle Ages on YouTube

Sadly, some are merely badly rendered synthesizer versions. When you do hit gold, though, it’s really good!

Below are other bardcore versions that tickled my fancy. (I saved the best for last, so keep scrolling!)

Gangnam Style (Medieval Style) [Bardcore] by Muckwick on YouTube

Macarena (Medieval Cover) by Middle Ages on YouTube

Nothig Else Matters [sic] – Medieval Style – Bardcore by Early Style on YouTube

Walk Like An Egyptian (Medieval Style) (Vocals!) by Mystic Zaru on YouTube

We Will Rock You [Bardcore] by Graywyck on YouTube

Surprisingly, also the theme for X-Files works quite well:

The X-Files (Medieval Cover) by Middle Ages on YouTube

Hildegard von Blingin’ is by far the best, most dedicated bardcorer (if that’s what they’re called) I’ve found so far.

Somebody That I Used To Know (Bardcore/Medieval Style Cover with Vocals) by Hildegard von Blingin’ on YouTube

What is Love (Medieval Style with Vocals – Original by Cornelius Link) by Hildegard von Blingin’ on YouTube

LOL! Love ’em; don’t you? 😀

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

Floors Like Patchwork Quilts in Eixample, Barcelona

House Tours, Stunt Double

Often one of the most charming features of older buildings is the flooring. Case in point: this Eixample apartment in Barcelona, Spain, has amazing, intricate quilt-like floor tiles. In all the rooms!

Espacio en blanco Eixample Barcelona Bathroom

Espacio en blanco

The space was designed by interior design studio Espacio en blanco, but I can’t tell whether they just did the furnishings or also floors, other surfaces and fixtures as well. Whatever the case, the white walls and ceilings are the perfect backdrop, because otherwise it would get too busy.

My favorite is perhaps the dining room floor…

Espacio en blanco Eixample Barcelona Dining

Espacio en blanco

…although the bedroom floor has some lovely blue in it:

Espacio en blanco Eixample Barcelona Bedroom

Espacio en blanco

Just think how amazing it would look like if you had floors like this and made a matching quilt for your bed?

Found via Desire to Inspire.

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

New to Me: The Love Cats in Ukulele

Random Beauty, Stunt Double

During the covid-19 pandemic, many people in my social bubble and beyond have turned not just to handcrafts but to video projects as a way to pass the time and provide comfort. I’ve seen a wide spread of projects and inspiration as a consequence, and enjoyed every one. Here’s an example.

The Ukulele Orchestra of Great Britain recorded a cover of “The Love Cats” by The Cure.

The Lovecats – Ukulele Orchestra of Great Britain on YouTube

Isn’t it wonderful? I laughed out loud, it was such a fun take. 🙂

Found via Whatever.

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

Happy Star Wars Day

Design & Designers, Geek out!, Stunt Double

This oldie but goodie is awesome not just on Star Wars Day: this observatory was painted to look like R2-D2.

Facebook Hochschule Kaiserslautern R2-D2 Observatory

Hochschule Kaiserslautern via Facebook

The paintjob is the work of Professor Hubert Zitt at the Zweibrücken campus of Hochschule Kaiserslautern (University of Applied Sciences), Germany. (For an article in English, see e.g. My Modern Met.) The observatory was transformed with a bit more than a lick of paint by the Professor, some students of his, his father-in-law and a professional painter.

I cannot imagine how long it must’ve taken them, but the results are great!

As an aside, my linguist brain was tickled to find that in Germany, it is customary in formal situations to address lecturers with their full titles. For example, years ago when I helped Husband with his research, he was called Herr Doktor Professor in his German correspondence. I just love the variety of language use! 🙂

Found via Good Stuff Happened Today.

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

Some Thoughts on the Sanditon Screen Adaptation

Books & Mags, Movies & TV, Stunt Double

As a Jane Austen fan, I’ve followed the birth of the screen adaptation of Sanditon in this blog. Having seen the series and allowed my brain to properly chew it for a couple of months, now it’s time to share some of my throughts.

Note: Spoiler warning is in effect!

According to IMDB, the main writing credits for this miniseries belong to Andrew Davies, with assists from Justin Young (episodes 3, 4, 6 and 7) and Andrea Gibb (episode 5). I haven’t seen any of Young’s writing, but I have seen Gibb’s Call the Midwife episodes and as far as I can remember, I liked them. In the past I’ve had mixed feelings of Davies’s work, but I’d assumed it was due to the material he was adapting (Dickens just doesn’t do it for me).

I may now have to adjust my opinion of Davis’s writing. Although I should like to know how big of a say the producers and/or financial backers had, for his earlier adaptations were much more internally consistent.

The best I can say about the writing in Sanditon is that it was very uneven throughout, which hurt both the characters, plot and pacing. Moreover, the ending was left open, clearly fishing for season 2, but since this first season didn’t give us much to recommend itself, the intended cliffhanger feels rather insulting instead.

Guest blogger Yosa Addiss critiqued the costuming at Frock Flicks. I don’t have much to add except to say that for a fantasy story set in the regency (or regency-like) period the choices would’ve been more acceptable.

The same goes for the sets. Indeed, some of the interior scenes, specifically at the masqued ball, remind me of the 1986 movie Labyrinth. Just compare these two photos below, the first from Sanditon and the second from Labyrinth:

Ethical Hedonist Magazine The Dance Sanditon

Sanditon (2019) via Ethical Hedonist Magazine

Basement Rejects Labyrinth Ball Scene

Labyrinth (1986) via Basement Rejects

There were other sets that looked more period-appropriate, but I don’t know enough of the details of period architecture and interior design to really say. For instance, the Parkers’ house had a room or two with multiple faux framed paintings that were literally painted directly onto the wall (or wallpaper?). That was a very interesting choice.

Frock Flicks Sanditon Ep1 Faux Paintings on Wall

Sanditon (2019) via Frock Flicks

Overall the sets and photography looked gorgeous, and the lighting was just lovely; I just don’t know how well the design choices represented regency in general.

All of the faults would be more tolerable, however, if the adaptation cast of characters equalled that of Austen’s writing. Sadly, it does not.

The best thing about Jane Austen’s characters is that even when they’re superficially the same, they’re all different. They remain their own people. Every single Bennet daughter, for instance, has their own individual personas, habits and characteristics. Poor Jane Fairfax is different from poor Fanny Price. Notable men in their thirties like Colonel Brandon and Mr. Knightley are very different indeed from each other.

In addition, even the most odious of Austen’s characters often have one or more redeeming qualities. The Sanditon adaptation lacks in this respect, too. Our supposed hero, Mr. Sidney Parker, is initially barely distinguishable from his two foppish drinking buddies he drags to Sanditon for a change of scenery, and it looks like we were supposed to fall for the forced, artificially drawn-out, unconvincing hate-love tug-of-war between him and Miss Heywood a la Pride & Prejudice.

(Incidentally, one of Mr. S. Parker’s London buddies surprisingly turns out one of the best invented characters of the series, but I’ll return to him later.)

Miss Brereton and Miss Denham both come across as bickering sour bitches, with the only difference that Clara is a sexually abused gold digger and Esther a lovelorn gold digger. Miss Lambe reminds me of Lydia Bennet, apart from having a fortune, and the young ladies she lodges with are completely bland. The rich Lady Denham is simply a copy of Lady Catherine, only with an ailment and sans a daughter. Mr. Denham’s a slimy git who resembles Mr. Wickham; of him I have very little to say and none of it good.

Young Mr. Stringer, a builder and aspiring architect, was an enjoyable addition, but sadly he wasn’t given much to do besides complain about not being paid, pine after Miss Heywood and eye moodily at his competition, Mr. S. Parker.

Mr. Parker is defined by his monomania over Sanditon and his irresponsibility, but at least he genuinely loves his wife. I liked the little we were given of Mrs. Parker, but, again, her character fell quite flat; apart from the role of supporting wife and devoted mother, she was good-natured and that was all.

The hypochondriac comic relief characters, Miss Parker and Mr. Arthur Parker, perhaps stay truest to the kind of characters Austen had a habit of writing, and they remain simply delightful throughout.

As I said, it was quite a surprise to find Lord Babbington rise to the level of an Austen hero. He accidentally meets with the pining Miss Denham, falls for and attempts to pay court to her. As we learn more about him, Lord Babbington starts to redeem himself in our eyes and to display quite a different set of characteristics than his drinking buddies (one of whom’s a drunk git and should never have been given as many lines as he was).

Babbington was looking better and better, and the we hit episode 7 where Mr. Denham bursts into a ball and makes a final plea for Miss Denham’s affections despite her obvious disinterest. Mr. Sidney Parker and Lord Babbington physically stop him from getting close to Esther. Later Babbington tells her: “Your brother is not going to make a victim out of you. I’ll not allow it.”

Seriously, crushing hard here! He’d become attractive before, but this kind of determination and caring? Romance novel stuff. Jane Austen romance stuff! This here, right here, is exactly how Austen heroes behave. So why the everloving fork is it that the whiny Mr. S. Parker is the protagonist of the adaptation and Lord Babbington is not?!?

In fact, Lord Babbington and Esther Denham’s story is more compelling to me than that of Miss Heywood and Mr. S. Parker. Babbington and Esther even get the gorgeous wedding at the end:

Ethical Hedonist Magazine Babbington Denham Wedding

Sanditon (2019) via Ethical Hedonist Magazine

I seriously suspect I have a headcanon coming…!

I still need to watch Sanditon again to be sure, but it seems I’m leaning into the direction of not considering it a Jane Austen work, but a more generic (fantasy) regency drama.

Have you seen Sanditon? What did you think of it?

Tardis Dress Is Bigger on the Inside, Too

Arts & Crafts, Design & Designers, Geek out!, Stunt Double

Take a look at this absolutely brilliant Tardis dress:

Tumblr May Yet Tardis Dress Collage

May Yet on Tumblr; collage by Eppu Jensen

It was made in 2018 by May Yet for a friend to wear at the Tokyo Comic Con. Sadly, the original post where I found it is now gone, but Yet wrote a new post where they give a bit more info and show new photos.

The dress is so gorgeous you could also wear it for semi-formal, non-geeky events. The absolutely best feature is that IT’S BIGGER ON THE INSIDE! Aaaaah! 😀

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

Faux Fireplace with Tablecloth “Tile” Surround

Fabrics & Materials, Inspiration, Stunt Double

I’m always on the lookout for unusual solutions to decorating problems. The fireplace below certainly applies: despite it’s traditional looks, the reality is very non-traditional.

DSponge Schroors Netherlands Fireplace Sm

It’s from the Drachten, Netherlands, home of Mindy and Theo Schroor. From their description (the mantel is “purely decorative”) it sounds like the fireplace is a faux one built around an electric stove. The tile surround is actually a tablecloth mounted to the wall.

I’ve seen clever faux fireplaces before. In this one, it’s the tablecloth surround that really makes the whole, however: the print displays copies of Dutch artists’ work and details from Delftware ceramics, repeated tile-style, as a lovely nod to the local history. The history nerd in me definitely appreciates the choice!

Found via design*sponge.

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

Past Weekend’s Theme Song: Ode to Joy by Beaker

Behind the Scenes, Stunt Double

The past weekend wasn’t the best for me. In fact, it was a bit like the Muppets version of Beethoven’s “Ode to Joy” performed by Beaker:

Ode To Joy | Muppet Music Video | The Muppets on YouTube

Just to give one example, on Sunday (my dedicated social media day), my brain refused to brain blog work. Tumblr I was able to do, but blogging was like drinking tar. (Something being like drinking tar is an expression from my native Finnish.)

Ohwell. At least the funny Muppet video made me smile – and, after all, I got a blog post out of it, too. 🙂

P.S. Happy Lunar New Year!

Note: I wasn’t paid or perked to mention this; just passing along a good thing.

New to Me: The Tempestry Project Knits Climate Data into Textiles

Arts & Crafts, Colors, Geek out!, Stunt Double, This Is Important

Justin and Marissa Connelly co-founded the Tempestry Project with Emily McNeil to save temperature data collected by the National Oceanic and Atmospheric Administration (NOAA). Their twist: depicting the data not numerically but as colorful knits.

Etsy Tempestry Project Yarn Medford MA

Tempestry Project on Etsy.

Emily McNeil describes the project:

“One of the ongoing problems inherent in discussions about climate change is the vast scale of the conversation. The Tempestry Project’s goal is to scale this down into something tangible, relatable, accurate, and beautiful.

“The Tempestry Project blends fiber art with temperature data to create a bridge between global climate and our own personal experiences through knitted or crocheted temperature tapestries, or ‘Tempestries.’ Each Tempestry represents the daily high temperature for a given year and location, all using the same yarn colors and temperature ranges.”

 

Etsy Tempestry Project Deception Pass WA

25 years of daily temperature for Deception Pass, WA, ranging from 1948 (top left) to 2016 (bottom right). Tempestry Project on Etsy.

What a great idea – I love the color ranges as pure visuals for one, but it’s also a fascinating way to turn numbers into a tangible item. Not to mention that I love knits!

Now I’m starting to wonder whether we night have similar data for Finland – I might want to make one for the city of my birth then and now.

Visit the Tempestry Project on their website, on Ravelry and on Etsy.

Found via Mary Anne Mohanraj on Twitter.

Note: I wasn’t paid or perked to mention this; just passing along a good thing.