Emma (1815) was the fourth and last of Austen’s works to be published during her lifetime. In it we follow the titular character’s growth from a good-intentioned meddler-in-romance to a more mature and self-aware young lady.
Here, again, is a map provided by JASNA for tracking the physical locations of the story:
Our rewatch included three versions: two movies and a miniseries. I’ve since discovered that there’s a version transposed to India (Aisha, 2010), which sounds interesting. Clueless I’ve no interest in, and I’ll skip the 1972 miniseries, too.
Extraordinarily, the year 1996 saw two movie releases based on Emma. Both are solid adaptations with decent plot arcs, very good acting, and wonderful locations and sets.
The first is written and directed by Douglas McGrath and stars Gwyneth Paltrow as Emma Woodhouse and Jeremy Northam as Mr. Knightley. Occasionally Paltrow delivers some of her lines in an overly whiny manner, but fortunately those are rare. I haven’t seen Northam in anything else, but his Mr. Knightley was quite good – efficient and proper but not as acerbic as Mark Strong’s Mr. Knightley.
A very neat tidbit is to see young Obi-Wan Kenobi Ewan McGregor singing – he has a fabulous voice! One thing I cannot stand in the McGrath movie, though, is Paltrow’s changing hairstyles – it seems like the production might have employed two different hair designers, one of whom wasn’t up to the job.
My favorite, incredibly dry line delivery:
Mr. Knightley [to Emma when they’re practicing archery]: “Try not to shoot my dogs.”
The other 1996 Emma is written by Andrew Davies, directed by Diarmuid Lawrence and features Kate Beckinsale as Emma Woodhouse and Mark Strong as Mr. Knightley. Overall, I’d say the casting is stronger in this version. The otherwise excellent Olivia Williams (elsewhere e.g. in Dollhouse) is a little wooden as Jane Fairfax, but I love the rest of the cast. Bernard Hepton’s Mr. Woodhouse is such a darling!
My favorite speech comes when the self-important Mrs. Elton discusses foppish young men:
Mrs. Elton: “Ah! But you must know I can be very severe upon young men. I have a vast dislike of puppies, quite a horror of them. Had he turned out to be a puppy I might have said some very cutting things, you may be sure. I am a scourge of puppies, am I not, Mr. E.?”
My absolute favorite, though, is the Emma miniseries from 2009 (adapted by Sandy Welch, directed by Jim O’Hanlon). The version has several strengths, starting with excellent casting. Romola Garai stars as Emma Woodhouse, and – yay, again a treat for me! – Jonny Lee Miller as Mr. Knightley. His is by far the most enjoyable Mr. Knightley performance I’ve seen. Mr. Knightley is often played as rather curt and strict, which I find not just offputting but a mistake. The interpretations of Harriet Smith by Louise Dylan and Miss Bates by Tamsin Greig are also the most enjoyable I’ve seen.
All major characters are introduced at the beginning of episode 1, which helps people new to Austen. Moreover, this version does the epilogue clearly and succinctly, without massive infodumping. In addition, I immensely enjoy the music, the set dressing, costuming and propping, and other visuals.
It’s a thoroughly, thoroughly enjoyable Emma. In fact, if the same team were to make other Austen adaptations, I’d go to great lenghts to see them. Finally, let’s face it: the longer form better fits the depth of Austen’s genius, and that’s that.
Enjoy this sneak peek from PBS:
MASTERPIECE Classic’s Emma begins Jan 24, 2010 | A Sneak Preview | PBS